Meredith Fuller, a professional child & adolescent actor in the 1960’s & 70’s, has been privileged to work with actors including Norman Kaye, Anne Charleston, Patsy King, Joseph James, and Paul Karo; and for Directors including Irene Mitchell, Harold Lang, Jo Wallis, Helen Franklyn and Cy Holden.  On TV for Crawford productions, she also worked for photographers including Athol Shmith and John Cato.

Meredith trained at the National Theatre, and won a scholarship. She worked professionally at St Martins and in television. She didn’t take up her teaching scholarship for Rusden; preferring to become a psychologist. While she spent a number of years in amateur theatre until her 20’s, she has spent the last 30 as a psychological media commentator | writer | panellist being herself for TV & radio in Australia (and the USA via Skype).

Her knack for predicting and influencing the trajectory of successful creative artists has seen her private practice as a vocational psychologist not only encourage talented creatives, but also assist them to develop additional career paths as later choice or circumstance may require.

Meredith has had extensive training in Psychodrama with George Calley, and body work with Stanislov Grof, amongst others.

Meredith spent several years studying professional writing with talented teachers including Ray Mooney.  Beng Oh directed her play “Stalk, Stalking, Stalked” at Dancehouse in 2002, and her plays were read for audience at Gasworks. Meredith has co-directed several short films for Kailash Studios, amongst others. With Fred K Levit, in 2015 Meredith also co-hosted a weekly Channel 31 TV show ‘FullerLevity Classic Movies’, and in 2014 co-hosted a weekly radio program.

Meredith was Writer in Residence for BURNING HOUSE (Robert Mark Johnson, Artistic Director) in 2018.